Music from 2013, perhaps this is in the genre "a theme for the individual" or the "reality of complexity for the individual"
We can proceed with the study of music composition as a species, it is a complex subject.
Myself i progressed towards more of an interest and specialisation in music production and record production, also electronic music and independent music that is similar to film soundtracks, the visual arts, and fine art.
I "Remastered" this in autumn 2015,
processed through valves, the tube tech preamplifier + a thermionic culture "pullet" analogue equaliser.
The record cover is something i made using a paint program.
I was previously influenced by punk record covers and renaissance paintings.
Some of this material is o.k, i feel the mastering aesthetic ended up working all-right, musically it fails where it is derivative and where there are wider influences it does a bit better, such as from progressive rock, fusion, and independent music.
I stopped writing music very much a year or so after this, and ended up focusing entirely on audio engineering as a craft formalism, the releases after this were mainly me practising the analogue mastering of audio process, on some material, that was at times complicated to get towards a point of universality.
I felt the goal of audio mastering is always to refine until the music is healthy for the audience no matter the source material, however I feel that curation is absolutely necessary at this point, and where things have not been able to be made appropriate overall healthiness for the audience wise, in any way, some post-formalist explanation is necessary, so I have tried to do this in titling conventions, what do I at this point think each piece really is in psychological terms, so that subconsciousness should not happen, or very much be mitigated a good bit.
A live record from the legendary Diamanda Galás finds the artist exploring the outer fringes of pop with only her voice and a piano. Bandcamp New & Notable Mar 30, 2024